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power is situational
How would you mark?
Now that is a question. A very common nature of depicting our self is the impression on material world. Most frequently it is the place where we live. HOME. A place where i belong. We wish to personalise and make a point of our existence. Architectural achievements, gaining prestige, security and the perception of space, all goes through shaping, reshaping according to our being in home.
What transcends?
Yeah, I know I am not here to stay long, but I wish to transcend time. I take death for granted until I am fragile. The unconscious, our being perpetuates the thought that it is the matter that transcends time. We keep on constructing. As we construct the matter we also construct our world, our ideas about who we are what we are.
Does it transcend?
"They say nothing last for ever" but they do transcend, they do fight longer than we do. They do challenge time. When the support system brakes down, time conquers. We leave... leave impression on the materiality of the world. What happens to them? They die, in a more painful and slow process.
In the end it is the stuffs in transformation. "Nothing lasts for ever" but nothing in this world disappears. In the end what remains is the GREAT NOTHINGNESS - a blurred boundary between whether we have existed... or we have not. whether we have lived or not. Whether we have died or not. Does it make a sense? (What do you mean by sense)
The whole lot of trouble of questioning. Does the transformation hold the ultimate truth? Whether a palacial building or left out stuffs or the the tortoise shell on the sea shore...
Tired? Shaken?? Broken???
Lets be happy with our nothingness.
The festival takes place at the end of winter and beginning of spring. The moods and attitudes of the festival participants indicate breaking down boundaries. The fire symbolises pride and the source of power located in human fertility. The symbol of fire indicating fertility is used by many in films and also plays a central role in Hindu rituals having deep rooted connotation.
People's participation and play with fire enhances and sets the mood in comfortable temperature with naked trees and fallen leaves. The interaction and chorous voice "Aaj aamader nerapora kal aamader dol/ purnima te chaNd utheche bolo horibol" - To day is the fire tomorrow is the colour/ look at the full moon and say "horibol". The word horibol has at least two connotations in contemporary bengal – a) a loud call to the God Vishnu, who is also known as 'hari', and b) it indicates a frenzy, anomic and disorganised condition. The God Bishnu has different names and appearances among them Shri Krishna is very famous for love making. In a way the symbols of love and people being frenzy with the fire indicates the mood of romance and love making.
The Culture and Cognition
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In the relational domain, strong kinship, defined and compartmentalised society leaves little room for a free flowing touch, smell and mixing of people. Human beings being not just another animal have learned to control certain drives and instincts. In a way instinct is replaced by freedom, however, the freedom is structurally exercised by the society. However, relative freedom is provided, in the name of festival which starts with burning down the old and unused and in a sense symbolically provides a refreshed cultural domain.
The Functional Domain
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The festival uses accumulated heaps of dried leaves, branches and waste materials. Burning down these items yearly indicates hygienic behaviour. People's large scale community based participation enhances social capital.
When we are in the mood for colours and play with our frenzy self are we still missing something?